The nursery
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There is the before and the after. Withering in the maternal prison of her apartment, a new mother finds herself spiraling into a state of complete disaffection. As a translator, she is usually happy to spend her days as the invisible interpreter. But now home alone with her newborn, she is ill at ease with this state of perpetual giving, carrying, feeding. The instinct to keep her baby safe conflicts with the intrusive thoughts of causing the baby harm, and she struggles to reclaim her identity just as it seems to dissolve from underneath her. Feeling isolated from her supportive but ineffectual husband, she strikes up a tentative friendship with her ailing upstairs neighbour, Peter, who hushes the baby with his oxygen tank in tow. But they are both running out of time; something is soon to crack. Joyful early days of her pregnancy mingle with the anxious arrival of the baby, and culminate in a painful confrontation – mostly, between our narrator and herself. Striking and emotive, The Nursery documents the slow process of staggering back towards the simple pleasures of life and reentering the world after post-partum depression.
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Molnar, S. (2023). The nursery. First edition. New York, Pantheon Books.
Chicago / Turabian - Author Date Citation (style guide)Molnar, Szilvia. 2023. The Nursery. New York, Pantheon Books.
Chicago / Turabian - Humanities Citation (style guide)Molnar, Szilvia, The Nursery. New York, Pantheon Books, 2023.
MLA Citation (style guide)Molnar, Szilvia. The Nursery. First edition. New York, Pantheon Books, 2023.
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Record Information
Last Sierra Extract Time | Jan 29, 2025 12:07:56 AM |
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Last File Modification Time | Jan 29, 2025 12:08:25 AM |
Last Grouped Work Modification Time | Feb 04, 2025 01:37:20 AM |
MARC Record
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264 | 1 | |a New York : |b Pantheon Books, |c [2023] | |
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520 | |a There is the before and the after. Withering in the maternal prison of her apartment, a new mother finds herself spiraling into a state of complete disaffection. As a translator, she is usually happy to spend her days as the invisible interpreter. But now home alone with her newborn, she is ill at ease with this state of perpetual giving, carrying, feeding. The instinct to keep her baby safe conflicts with the intrusive thoughts of causing the baby harm, and she struggles to reclaim her identity just as it seems to dissolve from underneath her. Feeling isolated from her supportive but ineffectual husband, she strikes up a tentative friendship with her ailing upstairs neighbour, Peter, who hushes the baby with his oxygen tank in tow. But they are both running out of time; something is soon to crack. Joyful early days of her pregnancy mingle with the anxious arrival of the baby, and culminate in a painful confrontation – mostly, between our narrator and herself. Striking and emotive, The Nursery documents the slow process of staggering back towards the simple pleasures of life and reentering the world after post-partum depression. | ||
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